


The
museum of the Ronda Bullring occupies a quarter of the ring
beneath the shade sections. It is currently being extended with
completion scheduled for 2003. The items on display can be divided
into three broad sections:
The Real Maestranza de Caballería
de Ronda
The
origins and evolution of the art of bullfighting
Ronda's contribution to the history of bullfighting
The
items are arranged according to these three areas of interest
and include paintings, sculptures, graphic art, textiles, objects,
historical records and pieces of contemporary art. The aim is
to establish a homogeneous discourse that places each item in
its own context and highlights its relationship with other items.
The
Real Maestranza de Caballería
its status as a noble and chivalric institution dating back
to the conquest of Ronda during the War of Granada; its relationship
with the town and contribution to its evolution; and its role
in the equestrian arts and the history of bullfighting, both
through its training exercises with bulls and the construction
of the monumental bullring.
The
mythical origins and the seismology of bullfighting
in the history of universal culture, the phenomenon of its introduction
into the Iberian Peninsula and its evolution into a spectacle
with rules and regulations, including details of the figures
for whom bullfighting is a national pastime.
The
role of Ronda and
its significance in the principal bullfighting dynasties, the
Romeros painted by Goya, and the Ordóñez family
and its main representative Antonio Ordóñez, who
gained the admiration of celebrities of the ilk of Hemingway
and Orson Welles.
The
museum contains a rich collection of etchings, engravings, lithographs
and illustrations, including the following: an edition of Francisco
de Goya's «Tauromachy» and the excellent British
Tauromachies by Lake Price, Víctor Adam and Edward Orme;
books, noble deeds, records and engravings related to the founding
of the Real Maestranza de Caballería de Ronda and its
role in the order of knighthood and the equestrian arts; oil
paintings from the 17th, 18th and 19th centuries, old and contemporary
posters by artists such as Arroyo, Cárdenas and Úrculo;
bronzes, low-reliefs and traditional bullfighting instruments.
The above exhibits are complemented by explanatory panels that
provide a narrative for the itinerary through the museum.